Georges Bizet
CARMEN

Most people today know the story of Carmen from Bizet's opera, commonly reputed as the most popular opera ever written. However, Carmen originated in a different form with French author Prosper Mérimée who heard an anecdote, when traveling in 1830 through Andalusia, Spain, recounted by the Countess Montijo. The story was of a Gypsy girl who had been killed by her jealous lover. Over the next fifteen years the story grew in his mind enlarged by impressions from his other travels in Spain, his own emotional experiences and his reading on the Gypsies and Spain. His novella Carmen was published in 1845.

Mérimée's story concerns a Spanish soldier, Jose Navarro, who falls passionately in love with a Gypsy woman, Carmen, and deserts his regiment to follow a life of crime and murder for her. Because Carmen would not be faithful to him, Navarro kills her and as he awaits his execution for her murder, tells his story to the novel's narrator.

In Carmen, Merimée created one of the supreme literary incarnations of the femme fatale, who surrounds herself with an aura of mystery, magic and malevolence, with which she exerts a fatal charm on the weak and unwary. She exploits her sexuality and the mystique she has created in order to further her own ends. Merimée describes Carmen as small, slim, young, "prettier than any Gypsy" with eyes that have a sensual yet savage look. She wore clothes beautifully and, because she could not afford perfume, wore heavily scented flowers. She was always laughing, had a sense of the ridiculous, yet was able to cope with any situation. She was more than faithful to her own people, but she had to be free. She could not tolerate the possessive love of José. A lover of her freedom above all else, she could not allow one man to call himself her master for long. She faced death with rash courage and resignation of her fate, which brings to the tale a tragic dimension.

The first two chapters of the book are narrated by a semi-fictional archeologist on tour in Southern Spain. Chapter three is narrated by José Navarro, adding an urgency and intimacy to the tale. A final chapter was added in 1847. This, narrated by Mérimée himself, reads like a cover letter from the author to his publisher. It was mostly greeted with bafflement and dismay and only occasional admiration. It certainly does not add anything to the story itself but seems to attempt to justify certain aspects and to prove a greater knowledge of the Gypsies.

Synopsis

The factory bell rings and the men of Seville gather round the female workers as they return after their lunch break. The gypsy Carmen is awaited with anticipation. When the men gather round her, she tells them love obeys no known laws (Habañera). Only one man pays no attention to her - Don José. Carmen throws a flower at him. The women go back into the factory and the crowd disperses.


Micaëla returns, bringing news of José's mother. She has sent Micaëla, who lives with her, to give him a letter. José feels that his mother is protecting him from afar. When he starts to read her letter, Micaëla runs off in embarrassment since it suggests that he marry her. At the moment that he decides to obey, a fight is heard from within the factory. The girls stream out with sharply conflicting accounts of what has occurred, but it is certain that Carmen and one of her fellow workers quarreled and that the other girl was wounded. Carmen, led out by José, refuses to answer any of Zuniga's questions. José is ordered to tie her up and take her to prison. Carmen entices him to go dancing at Lillas Pastia's tavern outside the walls of Seville. Mesmerized, José agrees to help her escape. He unties the rope and, as they leave for prison, Carmen slips away. Don José is arrested.

Carmen and her friends Frasquita and Mercédès entertain Zuniga and other officers. Zuniga tells Carmen that José has been released this very day. A torchlight procession in honor of the bullfighter Escamillo is heard, and the officers invite him in. He describes the excitements of his profession, in particular the amorous rewards that follow a successful bullfight. Escamillo then propositions Carmen, but she replies that she is engaged for the moment. He says he will wait. Carmen refuses to leave with Zuniga, who threatens to return later.